Inventing Experience: Medieval, Psychedelic, and Postmodern

Summary

This essay explores the similarities between literary experiences, particularly medieval poetry, and psychedelic experiences. It suggests that both share a transformative quality, where reality is altered and reinterpreted. By examining how narrative plays a crucial role in psychedelic therapy, the author highlights the importance of understanding the connections between literature and psychedelics to enrich the discourse around therapeutic practices.

Study at a glance

Abstract

What kind of experience is “literary experience,” and what might it have in common with psychedelics? This essay exposes a poetics of experience embedded within psychedelics and shows its common ground with the literary space of a poem in the Middle Ages. While writers like Aldous Huxley have often appealed to the precursor of the medieval, this essay takes a different turn. By looking at the co-substantial way in which reality is displaced, suspended, and refigured in a different register, the author proposes to show how literary works like the medieval “dream-vision,” the “trip/journey,” or “psychomachia” promise spaces of transformation and alteration akin to those in psychedelics. By thinking through the filiation of psychedelic experience with literary experience in general, in both medieval and postmodern senses of what that entails, we may better understand why the role of narrative in psychedelic therapy becomes so crucial in terms of an integrative practice, as well as what poetics in medieval and psychedelic contexts have in common. Affiliating psychedelics with the language of literature and poetics, this essay argues, also provides a richer critical language for psychedelic therapy and its mechanisms.