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The voices of madness

T. M. Luhrmann

Terrain January 1, 2022 Peer reviewed DOI: 10.4000/terrain.23459 via OpenAlex

Summary

The case study explores the phenomenology of psychotic voices, emphasizing experiences where traditional language and voice are not central. Key features identified include feelings of 'not-me-ness', a different sense of reality, and presence. Initial experiences of madness may evoke feelings akin to grace or art, transforming the mundane into something extraordinary.

Study at a glance

Design case study
Population individuals experiencing psychotic voices
Key finding Psychotic experiences can initially feel like grace or art, transforming everyday perceptions into something extraordinary.

Abstract

The phenomenology of psychosis is notoriously difficult to grasp. I offer here a case study of psychotic voices in which neither words nor voice proper figures prominently. I reflect on the strangeness of these experiences, and then point to the features of voice-hearing which I take to be of central importance: not-me-ness, a different realness, and presence. When it begins, madness can feel like grace, or art. The dull everyday becomes iridescent. People sense wild swans, floating angels, s...

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