Seasoned exodus: the exile mosaic of psyculture

Summary

Psychedelic trance music and its associated culture emerged from a seasonal dance party scene in Goa, India, during the 1970s and 1980s. This culture was shaped by a diverse group of expatriates and bohemians from many countries, who brought cosmopolitan influences and a sense of exile. The music and aesthetics of Goa trance and subsequent psytrance are internally varied, resisting simple definitions. The scene absorbed innovations in electronic dance music throughout the 1980s, leading to the Goa sound and festival culture in the mid-1990s. This culture is rooted in a community that values conscious realization and ecstatic self-abandonment.

Study at a glance

Abstract

Psychedelic trance music and culture (psyculture) is explored as a culture of exodus rooted in the seasonal dance party culture evolving in Goa, India, over the 1970s/1980s, and revealing a heterogeneous exile sensibility shaping Goa trance and psyculture from the 1990s/2000s. That is, diverse transgressive and transcendent expatriations would shape the music and aesthetics of Goa/psytrance. Thus, resisting circumscription under singular heuristic formulas, Goa trance and its progeny are shown to be internally diverse. This freak mosaic was seasoned by expatriates and bohemians in exile from many countries, experienced in world cosmopolitan conurbations, with the seasonal DJ-led trance dance culture of Goa absorbing innovations in EDM productions, performance and aesthetics throughout the 1980s before the Goa sound and subsequent festival culture emerged in the mid-1990s. Rooted in an experimental freak community host to the conscious realisation and ecstatic abandonment of the self, psyculture is heir to this diverse exile experience.

Tags