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The Divine Feminine in Geometric Consciousness

Bethe Hagens

Anthropology of Consciousness March 1, 2006 Peer reviewed DOI: 10.1525/ac.2006.17.1.1

Summary

The essay argues that geometric vision, described by Plato as a rare natural gift, is actually a mode of perception accessible through initiation by a master, akin to shamanic traditions. It traces this capacity to a divine feminine lineage in Greek mythology: from Chaos comes Gaia (earth, source of geometry), then Mnemosyne (memory), and the Muses (arts and sciences). The author explores how embracing oneself as a geomantic consciousness enables interdisciplinary teaching and learning, connecting sacred place, memory, and the arts.

Study at a glance

Design theoretical or philosophical paper
Key finding Geometric vision is a teachable mode of perception rooted in a divine feminine lineage, and embracing it as a geomantic consciousness can serve as an interdisciplinary teaching and learning process.

Abstract

Plato spoke of geometry as an extremely rare natural gift of consciousness, but also as a mode of perception accessible to anyone initiated into the tradition by a master. Such teachers were the shamans of his day, and it was these individuals who convened the mystery schools and sponsored initiations into the esoteric philosophies of geomancy that have grown from their vision. Though the history of women in ancient mystery traditions is largely lost to us, Greek mythology holds that our human capacity for geometric vision is a gift of the divine feminine—energetic sources of wisdom conceptualized as a lineage of goddesses. Born from primal Chaos is Gaia, from whose name comes "geometry"—geo (earth) + metr (measure, mother). She gives birth to Mnemosyne, goddess of Memory, from whose name comes "mnemonic." The daughters of Mnemosyne are the Muses—the arts and sciences. Memory is the legacy of the sacred Earth, and the arts enable humans to actively remember. The essence of this divine feminine lineage is sustainability of sacred place (Chora) through enduring values of order, proportion, a universal aesthetic, and connectivity. In this essay, I explore the ways in which I learned to embrace myself as a physical and spiritual geomantic consciousness and how I have used geometric vision as an interdisciplinary teaching and learning process.

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