Trance and Spirit Possession
Ideas of Possession October 29, 2024 Peer reviewed DOI: 10.1093/9780197679951.003.0013
Summary
Possession in India intersects psychology, religious rites, and performing arts. The daivārādhane worship of local deities is a major social and religious institution in Tuḷunādu, South India. Ritual knowledge comes from sacred spirits who possess humans, perform miracles, and influence affairs. The tradition accommodates change, incorporating new figures and contemporary issues, yet the performance of possession is choreographed to restrict unplanned communication with the gods.
Study at a glance
| Design | theoretical or philosophical paper |
|---|---|
| Key finding | The daivārādhane tradition is open to change yet choreographs possession to restrict spontaneous communication with deities. |
Abstract
Abstract Possession in India can be studied at the meeting points of psychology, religious rites, and performing arts. The daivārādhane worship of local deities is the major social and religious institution of Tuḷunādu in South India. Ritual knowledge comes from sacred spirits who can visit humankind in visible forms and through the bodies of mediums. They can possess anyone, address anyone, perform miracles, and influence political and economic affairs. The negotiation and means of communication between local deities and people of various castes and walks of life, including issues of ethnicity and gender, can be analyzed in detail to show that while ancient and even archaic in some respects, the tradition is open to change, incorporating new figures and contemporary issues. At the same time, the performance of possession in daivārādhane worship can be choreographed as to withstand spontaneity and thus restrict any role for unplanned communication with the gods.