Anaconda-becoming: Huni Kuin image-songs, an Amerindian relational aesthetics
Horizontes Antropológicos August 1, 2018 DOI: 10.1590/s0104-71832018000200002 via OpenAlex
Summary
AI-generated from the abstractIn Huni Kuin ayahuasca shamanism, ritual image-songs reveal how embodied perception and synesthesia transform bodily sensations into vision, rhythm, and sound. The experience involves becoming-other: knowing by seeing through another's eyes, being covered with their skin or ornaments, and singing with their voice. This other-becoming, understood in a Deleuzian sense, situates lived experience between self and other. The phrase "you are what you eat" carries implications for health and for acquiring the agentive and perceptive capabilities of other beings. The ritual technique of "almost becoming" involves alternatingly producing and undoing temporary transformations through song.
Study at a glance
| Characteristics | Ethnographic analysis Peer reviewed |
|---|---|
| Population | Huni Kuin ayahuasca shamans and their ritual practice |
| Intervention | ayahuasca |
| Keywords | Synesthesia Aesthetics Embodied cognition Context archaeology Situated |
| Citations | 20 |
| Key finding | Huni Kuin ayahuasca rituals use image-songs to produce a process of other-becoming, where knowing involves seeing through another's eyes and singing through their voice, with temporary transformations alternately produced and undone through song. |
Abstract
Abstract After depicting the contemporary scene of Huni Kuin ayahuasca shamanism and artistic agency, I analyze a selection of image-songs from this ritual. The songs unveil the workings of embodied perception and synesthesia, that is, the transductions of bodily sensations and perceptions in vision, rhythm, song and sound. The experience entails a process of other-becoming where to know means to see through the eyes of Other; to be covered with the skin/ornaments of those beings one has consumed and to sing through their voice. This other-becoming is a becoming in a deleuzian sense, which means that the lived experience is situated in-between the space of self and other. In this context the expression “you are what you eat” has specific implications for one’s health and for the acquisition of agentive and perceptive capabilities of other beings. The ritual technique of almost becoming consists of alternatingly producing and undoing temporary transformations through song.