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The voices of madness

T. M. Luhrmann

Terrain January 1, 2022 DOI: 10.4000/terrain.23459 via OpenAlex

Summary

AI-generated from the abstract

The phenomenology of psychosis is notoriously difficult to grasp. This paper presents a case study of psychotic voices in which neither words nor voice proper figures prominently. It reflects on the strangeness of these experiences and points to central features of voice-hearing: not-me-ness, a different realness, and presence. When madness begins, it can feel like grace or art, making the dull everyday become iridescent; people sense wild swans, floating angels, and other phenomena.

Study at a glance

Characteristics Case study Case report Peer reviewed
Keywords Humanities Art
Citations 1
Key finding Psychotic voice-hearing can involve experiences without words or voice proper, characterized by not-me-ness, a different realness, and presence.

Abstract

The phenomenology of psychosis is notoriously difficult to grasp. I offer here a case study of psychotic voices in which neither words nor voice proper figures prominently. I reflect on the strangeness of these experiences, and then point to the features of voice-hearing which I take to be of central importance: not-me-ness, a different realness, and presence. When it begins, madness can feel like grace, or art. The dull everyday becomes iridescent. People sense wild swans, floating angels, s...

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