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Alter ego representations in San Agustin monolithic sculptures: possible plant hallucinogenic influences.

Marlene Dobkin De Rios

Journal of psychoactive drugs December 1, 2009 DOI: 10.1080/02791072.2009.10399768 via PubMed

Summary

AI-generated from the abstract

The article examines evidence that the San Agustin culture, which lived in Colombia's Magdalena River area from the third century BCE to the sixteenth century CE, used plant hallucinogens such as Brugmansia, Brunfelsia chiricaspi, Desfontainia R., Anadenanthera peregrina, Banisteriopsis species, Psychotria viridis, and Virola theidora. Using a cross-cultural survey of plant hallucinogens, the author analyzes themes in the culture's monolithic sculptures, focusing on man-animal transformations and shamanic motifs linked to hallucinogenic plant use.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Citations 1
Key finding The San Agustin culture likely used several plant hallucinogens, and themes in their monolithic sculptures reflect shamanic practices and man-animal transformations associated with such use.

Abstract

This article examines the evidence for plant hallucinogenic use (possibly Brugmansia, Brunfelsia chiricaspi, Desfontainia R., Anadenanthera peregrina, Banisteriopsis sps, Psychotropia viridis and Virola theidora) by the San Agustin culture, an extinct peoples who resided in the Magdelena River area of Colombia from the third century B.C. until the sixteenth century A.D. Based on thematic materials gathered from a cross-cultural survey of plant hallucinogens, the author examines themes in the monolithic sculptures of this culture in light of man-animal transformations and shamanic themes linked to plant hallucinogenic ingestion.

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