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Sufi Aesthetics as an Epistemological Critique of Western Aesthetic Thought:

Alifah Yasmin

Aqlania December 30, 2025 DOI: 10.32678/aqlania.v16i2.20 via OpenAlex

Summary

AI-generated from the abstract

Contemporary Western aesthetics typically separates beauty from morality and spirituality, treating it as an autonomous domain of sensory judgment. In contrast, Islamic intellectual traditions, particularly Sufi thought, integrate aesthetic experience with the holistic cultivation of the soul (tazkiyat al-nafs) and the recognition of divine perfection. Through philosophical and hermeneutic analysis, the research shows that Sufi aesthetics roots beauty in harmony among body, character, and spirit, and uses spiritual taste (dzawq) as a way of knowing that goes beyond rational cognition. While Western models prioritize artistic autonomy, Sufi aesthetics links beauty to ethical refinement, ontological purpose, and the pursuit of human perfection (kamāl). The argument suggests that this spiritually grounded framework can correct contemporary aesthetic discourse's moral fragmentation and loss of transcendent meaning.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Keywords Beauty Harmony color Islam Everyday aesthetics Soul
Key finding Sufi aesthetics offers a value-laden, spiritually grounded understanding of beauty that contrasts with Western secular-rationalist models and can serve as a corrective to contemporary aesthetic discourse.

Abstract

Contemporary discussions on aesthetics are still largely framed by Western secular-rationalist assumptions that detach beauty from moral vision, spiritual cultivation, and theocentric meaning. This tendency contrasts sharply with Islamic intellectual traditions, especially Sufi thought, which views aesthetic experience as part of the holistic formation of the human soul (tazkiyat al-nafs) and as a pathway to recognizing divine perfection. The absence of a comparative framework that brings these two epistemic worlds into conversation has left a conceptual gap in understanding how beauty functions within Islamic thought and how it diverges from dominant Western models. Using a library-based method that integrates philosophical analysis with hermeneutic interpretation, the research explores how Islamic thought roots beauty in the harmony of body, character, and spirit, and how spiritual taste (dzawq) functions as an epistemic mode that surpasses the limits of rational cognition. The findings show that while Western aesthetics prioritizes artistic autonomy and sensory judgment, Sufi aesthetics anchors beauty in ethical refinement, ontological purpose, and the pursuit of human perfection (kamāl). This contrast reveals that Sufi aesthetics offers a value-laden and spiritually grounded understanding of beauty that is deeply embedded in the Islamic worldview. The study argues that Sufi aesthetics can serve as a constructive corrective to contemporary aesthetic discourse, which often suffers from moral fragmentation, commodification of art, and the loss of transcendent meaning. By restoring the centrality of the Divine and the moral-spiritual orientation of the human self, Sufi aesthetics provides an integrated framework that enriches both Islamic studies and broader discussions about the place of beauty in human life.

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