When Metaphor Becomes Flesh: Reconceptualizing Synaesthetic Metaphors in Becoming Animal

Summary

David Abram's 'Becoming Animal' uses metaphorical language to reveal the embodied nature of human experience. The physical dimension of metaphor makes readers sense the protagonist's carnality in their own bodies, fostering a reciprocal exchange with the world through synaesthetic metaphors. The article argues that embodiment enables a natural union of the senses, challenging the Aristotelian model of five distinct senses and questioning the status of synaesthetic metaphors, which may be neither strictly synaesthetic nor merely metaphorical when grounded in lived experience.

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Abstract

This paper explores David Abram’s non-fiction work Becoming Animal, highlighting, how his extensive use of metaphorical language reveals and enacts the embodied character of human experience. The physical dimension of metaphor invites the reader to sense the protagonist’s carnality as resonating within their own body, and through this heightened bodily awareness, to experience a reciprocal exchange with the world – a process frequently conveyed in the text through synaesthetic metaphors. This article argues that our very embodiment enables a natural union of the senses, thereby challenging the Aristotelian model of five distinct senses and calling into question the status of so-called synaesthetic metaphors – since, grounded in lived experience, they may no longer be either strictly “synaesthetic” or merely “metaphorical.” The paper employs conceptual metaphor theory as its primary framework, complemented by phenomenological insights from Maurice Merleau-Ponty.

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