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When the Sound Becomes the Goal. 4E Cognition and Teleomusicality in Early Infancy.

Andrea Schiavio, Dylan Van der Schyff, Silke Kruse-Weber, Renee Timmers

Frontiers in psychology January 1, 2017 DOI: 10.3389/fpsyg.2017.01585 via PubMed

Summary

The paper argues that early musical behaviors in infants can be understood through the 4E approach to cognition—embodied, embedded, enacted, and extended. Drawing on observational research by François Delalande and Piaget's play stages, the authors introduce "teleomusicality," goal-directed behaviors for exploring and playing with sounds, distinct from earlier "protomusicality" (music-like utterances and emotional interactions not focused on sound itself). A shift from protomusicality to teleomusicality occurs between 6 and 10 months of age, marked by an attentive shift. The framework includes Original Teleomusical Acts (OTAs) seen in exploratory behaviors and Constituted Teleomusical Acts (CTAs), which involve more complex goal-directed chains for musical activity.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Keywords 4e cognition Embodied cognition Embodied music cognition Exploratory behaviors Music in infancy
Citations 44
Key finding Infants develop from protomusicality to teleomusicality around 6–10 months, shifting from emotionally relevant interactions to goal-directed, sound-oriented exploratory behaviors.

Abstract

In this paper we explore early musical behaviors through the lenses of the recently emerged "4E" approach to mind, which sees cognitive processes as Embodied, Embedded, Enacted, and Extended. In doing so, we draw from a range of interdisciplinary research, engaging in critical and constructive discussions with both new findings and existing positions. In particular, we refer to observational research by French pedagogue and psychologist François Delalande, who examined infants' first "sound discoveries" and individuated three different musical "conducts" inspired by the "phases of the game" originally postulated by Piaget. Elaborating on such ideas we introduce the notion of "teleomusicality," which describes the goal-directed behaviors infants adopt to explore and play with sounds. This is distinguished from the developmentally earlier "protomusicality," which is based on music-like utterances, movements, and emotionally relevant interactions (e.g., with primary caregivers) that do not entail a primary focus on sound itself. The development from protomusicality to teleomusicality is discussed in terms of an "attentive shift" that occurs between 6 and 10 months of age. This forms the basis of a conceptual framework for early musical development that emphasizes the emergence of exploratory, goal-directed (i.e., sound-oriented), and self-organized musical actions in infancy. In line with this, we provide a preliminary taxonomy of teleomusical processes discussing "Original Teleomusical Acts" (OTAs) and "Constituted Teleomusical Acts" (CTAs). We argue that while OTAs can be easily witnessed in infants' exploratory behaviors, CTAs involve the mastery of more specific and complex goal-directed chains of actions central to musical activity.

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