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Dennis Ioffe

University of Amsterdam

3 papers in the library · 10 citations · publishing 2020-2025

Papers

Griby i Mukhi: A Historical Contextualization of the Esoteric Mushroom Religion of Moscow Conceptualism: Fungal Erotic Imagery of Entheogens and Insects

Religions July 26, 2024 Dennis Ioffe 6 citations

Moscow Conceptualism, a Russian artistic and literary movement, has deep religious fungal foundations rooted in Slavic and European esoteric mythology. The fly agaric mushroom (amanita muscaria) and its associated flies are central to the movement's transgressive spiritual and erotic aesthetics. Figures such as Andrey Monastyrsky, Ilia Kabakov, Elagina and Makarevich, the Mukhomor collectives, and Sergey Kuriokhin are not only artists but literary innovators who blend art and religion into a novel form of symbiotic semiosis, blurring traditional boundaries between art forms in line with international avant-garde aesthetics.

The Grand Narrative of the Mukhomor

The Soviet and Post-Soviet Review June 30, 2020 Dennis Ioffe 4 citations

Mushrooms, especially the fly agaric (Amanita muscaria), played a complex mythopoetic role in Moscow conceptualist art. Drawing on historical scholarship by R.G. Wasson, V.N. Toporov, and T.J. Elizarenkova, the article explores how mushroom-induced beliefs influenced this artistic movement. It focuses on Pavel Peppershtein and Sergey Anufriev's novel The Mythogenic Love of the Castes, in which the protagonist, Communist Party Organizer Dunaev, eats hallucinogenic mushrooms after being wounded in World War II and transforms into a wizard fighting a "parallel war" between Russian fairy-tale heroes and Western children's characters. The article contextualizes these entheogenic episodes within a broader constructed visionary reality, emphasizing the cultural significance of psilocybin fungi and fly agaric.

The Mukhomor Occult in Russian Conceptualism

Experiment September 24, 2025 Dennis Ioffe

Mushroom imagery in Russian Conceptualism served as a metaphorical device for exploring consciousness, spirituality, and resistance to Soviet materialism. Artists such as Wassily Kandinsky, Ilya Kabakov, and Andrei Monastyrsky embedded fungal motifs in their works, drawing on traditions of Eurasian shamanism, psychoactive practices, and esoteric mysticism. The analysis traces this fascination from early modernist experiments like the 1909 War of Mushrooms through the 1970s–1980s Moscow Conceptualist scene, including the Mukhomor collective and artists Igor Makarevich and Elena Elagina. Mushrooms became a prism for rethinking identity, community, and artistic boundaries in late 20th-century Russia, blending mythology, alchemy, ethnography, and Soviet underground culture.