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Amina: Shaking Boundaries of a Woman Inhabited by the Spirits (Senegal).

Angelo Miramonti

Culture, medicine and psychiatry March 1, 2025 Peer reviewed DOI: 10.1007/s11013-024-09879-z via PubMed

Summary

Amina, a Senegalese woman, experiences spirit possession that highlights her struggle between traditional Lebou culture and Western perspectives. She opts for the traditional interpretation of her suffering but seeks a priest who respects her healing journey. Amina creatively navigates her cultural beliefs to redefine her identity and agency, using possession as a means to challenge and reshape the boundaries of her social role and lineage.

Study at a glance

Population a Senegalese woman named Amina
Key finding Amina uses the disruptive nature of spirit possession to renegotiate her identity and assert her agency within the confines of her cultural traditions.

Abstract

In this article, I present the individual ethnography of Amina, a Senegalese woman possessed by the spirits of her lineage. Amina's story shows the lacerations of a person who simultaneously inhabits two worlds: the traditional Lebou culture and the Western one. When her spirits manifest themselves, she is forced to choose between two different interpretations of her suffering: the traditional persecutory and the Western psychopathological. She chooses the former but refuses the healers imposed by the tradition and turns to a priest of her choice, who proves to be sensitive to her need to personally own the healing journey. Amina strategically manipulates the plasticity of the traditional belief system without abandoning it; she bends it to shake the boundaries of herself, and her group and lineage. She uses the disruptive potential of possession and the irruption of the invisible world in the visible to renegotiate her role and acquire a new status in her group. She uses the performative dispositive of possession to renegotiate and expand her spaces of agency and affirm her tenacious subjectivity of a permanently liminal person, one who inhabits, shakes and redraws the boundaries between different worlds of meaning.

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