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Peter E Keller

Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus, Aalborg, Aarhus 8000, Denmark; The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Sydney 2751, Australia.

2 papers in the library · 99 citations · publishing 2016-2026

Papers

Brain Network Reconfiguration and Perceptual Decoupling During an Absorptive State of Consciousness.

Cerebral cortex (New York, N.Y. : 1991) July 1, 2016 Michael J Hove, Johannes Stelzer, Till Nierhaus et al. 99 citations

Trance, an absorptive state with narrowed external awareness used by shamans for insight, was studied with fMRI in 15 experienced shamanic practitioners listening to rhythmic drumming. During trance, three brain regions—posterior cingulate cortex, dorsal anterior cingulate cortex, and left insula/operculum—showed stronger hubs (higher eigenvector centrality). The posterior cingulate cortex, a default network hub for internal thought, coactivated with control-network regions, suggesting amplified internal neural streams. Auditory pathway seeds were less connected, indicating perceptual decoupling from repetitive drumming. This network reconfiguration may support extended internal thought and insight.

The rhythms of trance: Cultural phenomenology and neural mechanisms of music-induced non-ordinary states of consciousness.

Neuroscience and biobehavioral reviews July 1, 2026 Athanasia Kontouli, Michael J Hove, Alexandre Lehmann et al.

Trance states induced by music, from shamanic rituals to electronic dance music raves, share common musical features and cultural narratives. Anthropological and neuroscientific evidence suggests that different forms of trance engage partially overlapping neural dynamics, including increased low-frequency brain wave synchronization and a shift from executive control networks to limbic and default mode networks. These patterns reflect the interplay of cognitive, emotional, and sensory systems, though current empirical evidence remains fragmented and methodologically heterogeneous. The review emphasizes trance as both a cultural and biological phenomenon and calls for integrating phenomenological and neurophysiological data to build comprehensive models of music-induced non-ordinary states of consciousness.